Metallica’s new album, Death Magnetic, has now been released worldwide. Lyrics to all the Death Magnetic songs, Metallica Death Magnetic review and the full studio versions of new Metallica songs are now available for your pleasure at Metallica XXX Blog. Metallica’s Death Magnetic is their first studio album since 2003′s multi-platinum St. Anger.
Death Magnetic tracklist and all the lyrics:
That Was Just Your Life
The End Of The Line
Broken, Beat & Scarred
The Day That Never Comes – Listen to the full version and see single artwork
All Nightmare Long
Cyanide – Listen to the full version and see single artwork
The Unforgiven III
The Judas Kiss
Suicide & Redemption – Instrumental
My Apocalypse – Listen to the full version and see single artwork
“The Quietus” had an early review of the new Metallica album Death Magnetic. Here is the Metallica’s Death Magnetic review:
I attended the playback of Metallica’s new album at the HQ of Universal, their UK record company, on 3 June. We were permitted to hear six of the 10 tracks which will ultimately appear on the album – which, a rep from the Q-Prime management company informed us, is referred to colloquially by Metallica as ‘Nine epics and one song’. The sense of occasion was reinforced by the presence of almost the entire editorial teams of the UK’s two biggest metal magazines, glaring at each other over the tea urn.
Right from the off, it’s a relief to hear that the utterly awful production of St. Anger is no more. Ulrich has replaced the old dustbin lid from that album with an actual snare drum, and the sound is fresh, clean and resonant (even though the songs are still only rough mixes at this stage). The first song, like the rest of the ‘epics’, is between six and eight minutes long and begins with a bass intro from low-ender extraordinaire Robert Trujillo. Moving rapidly from riff to riff, the song bursts with energy and ideas: singer and rhythm guitarist James Hetfield barks “Luck runs out!” repeatedly and throws in some twisty, semi-progressive riffs which could have been lifted directly from, their last truly good album, 1988’s …And Justice For All. Guitarist Kirk Hammett, who was banned from soloing on St. Anguish for no adequately explored reason, is on fire, whipping out the melodic, rapid-fire shreds for which he is famous over an extended solo section – almost as if he’s making up for lost time. This is Metallica’s best song in ages, perhaps since the 1980s.
The next song has a working title of ‘Flamingo’ and is going to be the first single. Now, Metallica’s lead singles have been breathtakingly crap since 1995, so it was a relief to hear that ‘Flamingo’ (as it almost definitely will not be called) is a modernised take on their amazing 1988 song One, all balladry at its front end before a speeded-up metalstorm at the back. Hetfield delivers a clean-picked intro which reminded me of the Beach Boys (I know… but I only got to hear it once, all right?) before the body of the song, which is basically like ‘The Unforgiven’ from 1991’s ‘Black Album’. If you’re familiar with the chord progression behind the solo in ‘Am I Evil?’, the ancient Diamond Head song which Metallica made their own, you’ll be able to picture the under-solo riffage in this song – all simple, effective major-interval jumps.
However, let us not forget that this is modern Metallica – and the next two songs are much less fun. The first, which may be called ‘We Die Hard’ judging by the frequency with which Hetfield barks the phrase, starts boringly but accelerates halfway through and enters slightly proggy territory, all stop-start riff stabs and a clever time signature. The next song is very . . . And Justice . . ., a lengthy, unhurried workout which revolves around the line “Bow down / Sell your soul to me / I will set you free”, itself a 1988 line if I ever heard one. Apart from dexterous soloing from Hammett, it’s not great.
So far, we’ve had two good songs and two dull ones – not a bad track record for new ’Tallica, believe me. However, track five is tedious, a combination of the aimless riffery of St. Anger and the pointless rock chorusing of Load, the album which almost finished Metallica in 1996. “Crying, weeping, shedding strife!” sings Hetfield in that slick ‘Enter Sandman’ manner, over an unthreatening clean midsection which would (and no doubt will) suit VH1 down to the ground.
At this point the Q-Prime geezer asks us if we want to hear more, and fortunately we say yes – because the final song (and indeed, it is ‘The Song’, the little guy among the nine epics) is great, a genuine slice of thrash metal that starts fast and stays that way. Like a slower, less precise ‘Battery’ (the opening track of 1986’s flawless Master Of Puppets album), the song nips in and out, not outstaying its welcome and proving that on some level, Metallica still have the necessary vitriol to impress their older fans. OK, it reminded me a bit of ‘Dyer’s Eve’, the last song on Justice, which had a kind of “I suppose we’d better do a fast one for the fans” feel about it – but in 2008, Hetfield and Ulrich delivering any form of thrash metal is not to be sneered at.
We file out of the listening room, not saying much. This album could be good, or it could be mediocre – too much depends on the other four songs to make a call at this point. I try not to agonise about it, but this matters, damn it. It really does. I said it wasn’t easy being a Metallica fan in 2008, didn’t I?
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to all u fake posers “EETFUK”.How boring would it be to hear the same style over and over again.Embrace change and diversity.How can u tell me u like early metallica yet not be influenced by their later stuff,then say im a big fan.Theres more than just the music to be a fan of.What about the talents of each member of the band.Being a fan to me means growing with the band,which means embracing change,i mean for fuck sake,these cats arent 17yrs old anymore…..
How can u treat pioneers of heavy metal with this disrespect.Who are u to say what influences their lives,to create music.”posers”.Go listen to your alternative crap if u dont like change.
Well at last a little TAL to brighten up my otherwise boring hashing and rehashing of in all honestly the most boring few years of ye old metal, life has had to offer. With the exception of the DioSabbath reunion my metal brain has been a sleep for ages. I liked load and metallica (but mainly all the albums before these)but reload was shit. Stanger could have been recorded by a monkey. I fucked around with my sterio for ages trying to squeeze a decent sound out of it but this was difficult enough for me to toss it after my love affair with”the unnamed feeling” ended. Nice to here the farmiliar chunk in the bits i squeezed out of the net of Death magnet. Sounds tasty. But even if it just not bad, I will have a cow of excitement of some actual music delivered in these times of NEED!!!
“these cats arent 17yrs old anymore…..”
I wish they were cats. Then I would’ve forgiven them for making load and Reload. Fortunately, I stayed clear of St. Anger.
YAY KITTIES!!!!
I really think St.Anger is a great album. I hated it when i first listened to it. Then, about a year thereafter, I watched some kind of monster. That made me listen to the album in a different context. It is such a good album. It is different. And that is why people didn’t (and don’t) like it initially. But give it a chance. I find the best albums are the ones that I do not like initially. It shows that the band has progressed. It would have been so easy for them to adhere to their formula. They didn’t. They went further. The result is genius. St. Anger, some kind of monster, invisible kid, sweet amber (wow), and, my favourite, the unnamed feeling. Go listen to it again!
Thing is,that 4 first albums are masterpieces but dont disrespect the rest of the albums. There are many great songs there too.And take in mind,like it or not, Metallica is a commercial band and for the sake of not making their fans get bored. So they changed their style many times. And u all ppl know that whatever quiality the new album will be all ppl will buy it.Just because it is Metallica the name is enough.
Everywhere you go, people say the same thing. You’ve got a handfull of people saying ‘Metallica were way better in the 80s, and everything after that was shit.’ Then you’ve got people saying ‘The black album is the best album ever’ and you’ve got people who like Load era Metallica.
For God’s sake, its the same hit, over and over again.
You either like Metallica, or you don’t. I’ve never known a band cause so much commotion, especially just before releasing a new album.
Personally, I see the strengths of EVERY Metallica album, and I enjoy them all. None of them are ‘shit’, but some of them aren’t as good as the others. After 91, Metallica became a lot more accessible to newer fans. Call selling out if you want, nobody cares. The fact is, if they hadn’t have changed, half the people waiting for Death Magnetic would have never heard of them.
We’re all armchair quaterbacks here, lets just leave the music making to the professionals. And if you don’t like Metallica, go listen to Judas Priest, Arch Enemy, or Iron Maiden or Trivium. There’s plenty decent bands out there, just stop bitching about Metallica like they stabbed you in the back or something.
They’re unquestionably one of the top 5 metal bands of all time, period. There is no argument. The fact that they’re still releasing music is fucking awesome, and I won’t get stuck in 1986, because I need to hear new songs. Here they are. Enjoy them. Or go elsewhere.
This is just my own personal opinion, but after the Black album, the band took a turn that most fans didn’t like, including myself. To me, they took a alternative/blues music approach to their songs, which this band is not known for, which makes people like myself shake my head and think, “What the hell went wrong?” Even if the band was burnt, did they need to change the music of the band? I say no or they should have said “Metallica’s done.”
True, your not going to be thrash metal 100% of the time, but, I think they should have taken the success of the Black album and ran with it, along with the musical tones. Sure, it’s slower, but it still had the metal sound and had some great riffs which I loved, and I think most fans would have appreciated. Instead, we’re stuck with Metallica being, to me, just like Alice in Chains.
I listened to the whole album and :
It doesn’t really sound as a copy of KEA, RTL, MOP, AJFA. None of these. Instead, it sounds as a sum of all the styles they adopted in their life as a band; so you’re gonna get James singing sometimes “St.Anger style”, sometimes “Load/Re-Load” style, sometimes just screaming. You’re gonna get old style instrumental parts but mashed with other influences taken through their whole career and only in a few parts you’ll hear the deja-vu. It’s definitely not a masterpiece, but it’s not crap either, and for the moment i prefer the second part of the album, taking “The Judas Kiss” as the highlight (“bow down, sell your soul..” etc). Some songs sound as they were a cut ‘n’ paste jam thing (something that killed St.Anger), but there’s more variety so you’re never gonna get bored. If i had to make a best/worst poll, i’d say
-best: That Was Just Your Life, All Nightmare Long, The Judas Kiss, My Apocalypse
-worst: The End Of The Line (maybe it’s me, but in certain parts it sounded to me as a bad copy of Creeping Death and in others a bad copy of something else.. and i never liked “Death Is Not The End” which this song has some parts), Cyanide.
Then, side note: The Unforgiven III, beside the title, has nothing to do musically with the previous ones.. why not change some lyrics and the title?
In the end, i’d say it’s a very good effort from Metallica even with some weak moments, i really think this is the best they can give right now. an 8 out of 10.
I am listening to the new Metallica album as I write. So far, I really liked Broken, Beat and Scarred and All Nightmare Long as I find them not as much as a return to their roots but as an expression of a new found freedom. From Bob Rock, from high expectations, from internal conflict. The Day That Never Comes must be familiar by now to all Metallica fans but I have to say that the album production (clean sound, no clicks, etc) makes it truly a Metallica song. Cyanide draws much inspiration from the Justice album but it’s not a great song as it really gets monotone. Cutting it down to about 4 minutes might have been a good idea. The intro to the Unforgiven III reminds me of the Good, The Bad and The Ugly theme we all got used to. So far (remember, I write as I listen to the album) this song features James’ best vocal effort – kinda reminds me of Load and ReLoad’s best (Outlaw Torn, Bleeding Me). Very good song, great solo work by Mr. Hammett, I didn’t realize how 8 minutes have just passed. Judas Kiss now. This one is Lars Ulrich’s show as he managed to destroy my conviction that he is a “has been”. Much could (and should) have been done on his part on the previous songs of this album. Here and then the odd Justice theme or master harmonics help make this tune a very good one indeed. Kirk’s doing it again, i’m sold! Suicide and Redemption now, with a good intro workout by Mr. Trujillo, followed by a midtempo mediocre riff that is becoming a bit irritating. Now it really pisses me off as I’m waiting for 3 minutes for something to happen! and, oh my god, it does!… Not good… The riff has come back now, doubled by some nice guitar melody… The riff is gone now as the whole thing seems it has sped up. Is this a instrumental song? It has to be, I’m almost 7 minutes into it already. It is. The Justice progression again. Now we go old style with a War Pigs thingy that seems utterly forced. Verdict: poor. My Apocalypse… well y’all know it by now – a good song if you live in 1985. The first 2 tracks (That Was Just Your Life and The end Of The Line) are good for their latest standard but will never make it into my top 30 Metallica songs. All in all a decent album and (I keep my fingers crossed) a sign of good things to come. Just like Fabio said: 8 out of 10.
Death Magnetic is the upcoming ninth studio album by American heavy metal band Metallica. It is scheduled for release on September 12, 2008 by Warner Bros. Records.[1] The album will be the band’s first to feature current bassist Robert Trujillo, and the first to be produced by Rick Rubin.[2] Death Magnetic also marks the first time in the band’s history in which all band members contributed to each song on an album, and is the first album in twenty years to feature an instrumental track, since … And Justice for All. It will be their first studio album released through Warner Bros., although they still remain with Warner Music Group, which also owns Elektra Records, the band’s previous label.
Since May 12, 2008 (2008-05-12), the album has been heavily promoted on its specially dedicated website, entitled Mission: Metallica, which features daily updates of exclusive, behind-the-scenes sneak previews with photos and video clips from the studio.[3] On June 14, 2008 (2008-06-14), the album’s official title was announced, followed by the revealing of its cover art on July 17, 2008 (2008-07-17), which depicts a metallic coffin with a black and white design around it (representing iron filings in a magnetic field). The cover also features a slightly altered version of the original Metallica logo, used on the band’s first five albums. Although the album doesn’t have a title track, the words “death magnetic” are mentioned in the song “My Apocalypse”.
Album title
On July 16, 2008 (2008-07-16), James Hetfield commented on the album’s title:
“ Death Magnetic, at least the title, to me [...] started out as kind of a tribute to people that have fallen in our business, like Layne Staley and a lot of the people that have died, basically — rock and roll martyrs of sorts. And then it kind of grew from there, thinking about death… some people are drawn towards it, and just like a magnet, [and] other people are afraid of it and push away. And the concept that we’re all gonna die sometimes is over-talked about and then a lot of times never talked about — no one wants to bring it up; it’s the big white elephant in the living room. But we all have to deal with it at some point.[4] ”
Writing process
As early as January 16, 2004 (2004-01-16), Metallica frontman and rhythm guitarist James Hetfield revealed that the band had roughly 18 songs that did not see release on their 2003 album St. Anger, and that they may be reworked in the future, if not potentially released as is. Hetfield also said that they had been playing new material during studio jams, but that there was no mention of plans for a ninth studio album as of yet.[5] On March 12, 2004 (2004-03-12), drummer Lars Ulrich reported that the band had performed thirty-minute jam sessions prior to live performances, and that the jams are recorded for future reference. Select music from the jam sessions may be used on the album, as Ulrich stated, “I definitely look forward to sifting through some of that stuff when we get back to the studio in January.”[6] On that note, by October 2004 the band had already compiled nearly 50 hours of pre-set jamming, with hundreds of riffs, chord progressions and bass lines.[7] On September 30, 2004 (2004-09-30), Launch Radio revealed from an interview with Hetfield that the band hoped to return to the studio in spring of 2005 to begin recording their ninth studio album for Warner Bros. Records.[8]
On March 10, 2006 (2006-03-10), it was reported that the band was planning to use the following six months to write material for the album, in addition to the previous two months they had already been spending writing music. It was also revealed that Ulrich, Hetfield and Robert Trujillo were active contributors in the process at this point; guitarist Hammett was an infrequent contributor due to his wife’s pregnancy. [9] Lars Ulrich also stated that the band was getting along much better in the studio than they did during the recording of their 2003 album St. Anger.[10] On April 16, 2006 (2006-04-16), Lars Ulrich revealed that the band had composed “six to seven” songs, (except for vocals), from their findings of the riff tapes recording during pre-sets of the Madly in Anger with the World tour.[11] He also said that by this point, the band’s new material was reminiscent of “old school” Metallica works, and that it certainly does not feel like a St. Anger “part two”.
On May 20, 2006 (2006-05-20), Kirk Hammett revealed that the band had 15 songs written and were writing on average two to three songs per week. James Hetfield also praised producer Rick Rubin for his production style in giving the band their own freedom and keeping the pressure at a minimum, despite the sessions becoming sometimes briefly unfocused.[12] On May 27, 2006 (2006-05-27), Metallica updated their website with a video featuring information regarding the album. Lars Ulrich, who spearheaded the video, said about the new album:
“ If you’re in the studio, everybody presumes you’re recording or making a record [...]. Last time there was no real separation between the writing process and the recording process. [With] St. Anger nobody brought in any pre-recorded stuff or ideas; it was just make it up on the spot, be in the moment [...]. So this time we are doing exactly what we did on all the other albums — first we’re writing, then we’re recording. The only difference is [...] that we’re writing where we record. So we’re writing here at HQ because this is our home, [...] we’re writing in the studio.[13] ”
Recording process
On January 17, 2007 (2007-01-17), Lars Ulrich stated in an interview with Revolver that the band would be conceiving the album much like they did their albums prior to working with ex-producer Bob Rock; they would sit down, write a select amount of songs, then enter the studio to record them. He also quoted current producer Rick Rubin by saying Rubin doesn’t want them to start the recording process until every song that they are going to record is as close to 100 percent as possible.[14]
On March 5, 2007 (2007-03-05), Lars Ulrich revealed that the band had narrowed a potential 25 songs down to 14, and that they would begin recording those 14 songs on the following week. He also expanded on Rick Rubin’s style of production, saying,
“ Rick’s big thing is to kind of have all these songs completely embedded in our bodies and basically next Monday, on D-Day, just go in and execute them [...]. So you leave the creative element of the process out of the recording, so you go in and basically just record a bunch of songs that you know inside out and upside down, and you don’t have to spend too much of your energy in the recording studio creating and thinking and analyzing and doing all that stuff. His whole analogy is, the recording process becomes more like a gig — just going in and playing and leaving all the thinking at the door.[15] ”
On March 14, 2007 (2007-03-14), the band’s official website issued a statement: “Metallica left the comfort of HQ this week to descend upon the greater Los Angeles area to begin recording their ninth original album. This is the first time they’ve recorded outside of the Bay Area since they spent time at One-on-One Studios recording The Black Album in ’90 and ’91.”[16] This was confirmed on July 24, 2008 (2008-07-24) on Mission: Metallica, as a video surfaced showed the crew moving into Sound City Studios of Nirvana fame.[17]
On June 4, 2007 (2007-06-04), bassist Robert Trujillo revealed that only select portions of the two new songs debuted in Berlin and Tokyo respectively will be featured on the album.[18] To the surprise of fans, Metallica played “The Other New Song” once again on June 29, 2007 in Bilbao, Spain.
On July 1, 2007 (2007-07-01), Lars Ulrich stated that all backing tracks were done in May. He said that all that the album was missing were vocals and overdubs, which were to be recorded in August. They hope to have finished the album by October or November, when the album will be mixed.[19] He predicted the album would be out in February 2008. He also revealed that the songs they are working with are quite long. By December 2007, it was reported by Rolling Stone, that overdubs and Hetfield’s vocals still had yet to be recorded. On January 21, 2008 (2008-01-21), through pictures on Metclub.com’s “Top Secret” section, it has been revealed that Hetfield began recording vocals for the album.
On February 29, 2008 (2008-02-29), according to Sterlingsound.com, it was discovered that Ted Jensen from Sterling Sound Studios would be mastering the new record. Supposedly, he signed on to do it on August 24, 2006 (2006-08-24). Their name has since been removed from Ted Jensen’s list of projects, however.[20] According to Blabbermouth.net and other sources, Greg Fidelman, who has served as an sound engineer, has also been tapped to mix the album.[21]
Lars Ulrich confirmed on May 15, 2008 (2008-05-15) that Metallica recorded 11 songs for Death Magnetic, although only 10 will appear on the album due to the constraints of the physical medium.[22]
In an interview with a Turkish television station prior to Metallica’s concert in Istanbul this year, James Hetfield confirmed that an instrumental will appear on Death Magnetic, since revealed to be “Suicide & Redemption.”[23]
Release
In January 2008 (2008-01), a statement was made by Stereo Warning that the album would be delayed until September of 2008,[24] but was quickly denied by Metallica’s management since an album without a defined release date can not be “delayed.” The album, which was since completed on August 10, 2008 (2008-08-10),[25] is now scheduled for release on September 12, 2008 (2008-09-12), and will be issued in a variety of different packages. On September 2, 2008, a French record store allegedly began selling copies of Death Magnetic, nearly two weeks ahead of its scheduled worldwide release date.[26] It is currently unconfirmed whether Metallica or Warner Bros. will be taking any action against the retailer.
Release versions
* Experience 2
Digital download of Death Magnetic at 320 kbit/s, ringtones, two live shows, additional two hours of exclusive “making of” footage, 250 photos. Also includes exclusive Mission: Metallica footage of the writing and recording of Death Magnetic, as well as riffs and excerpts from it, exclusive photos and live tracks.
* Experience 3
A physical copy of Death Magnetic CD. Also includes the same extras as Experience 2.
* Experience 4
A set of Death Magnetic on five vinyl LP albums, in a 180-gram box, with five individual sleeves and a Mission: Metallica lithograph. Also includes the same extras as Experience 2 and 3.
* The Box Magnetic
A collector’s edition white coffin-shaped box, available in three different sizes (M, L, or XL), which includes a Death Magnetic CD in a special carton box, an additional CD with 10 demos of the songs from the album,[27] a DVD of additional “making of” footage not seen on Mission: Metallica, an exclusive t-shirt with the Death Magnetic logo, a flag, guitar picks, a fold out coffin-shaped poster with the members of Metallica,[27] and a collector’s credit card with a code for a free download of a performance in Europe in September.[28]
First songs performed
During their Escape from the Studio ’06 tour, the band debuted two songs, temporarily titled “The New Song”[29] and “The Other New Song”.[30] “The New Song” debuted on the European leg in Berlin, Germany on June 6, 2006 (2006-06-06). The song, as performed, is approximately eight minutes long. The title was rumored to be “Death Is Not the End” as Hetfield repeatedly sings the line throughout the song.[29] This song would appear again in multiple Fly on the Wall videos on the Mission: Metallica website, showing the band partway through the song’s recording, as noted by the slower tempo and lack of lyrics. “The Other New Song” debuted August 12, 2006 (2006-08-12) in Tokyo, Japan, and is much shorter, taking just below four minutes to perform.[30]
On August 9, 2008 (2008-08-09), Metallica debuted the first album track, “Cyanide,” at Ozzfest, in Dallas, Texas, and on August 22 at the Leeds Festival, they debuted the first single, “The Day That Never Comes.”
Digital premiere through video games
In an October 2007 (2007-10) interview with the creators of the Rock Band video game, it was stated that Metallica has given rights to MTV Games, the game’s publisher, to have the first single off Death Magnetic available for playability on the game before the album’s release.[31] The band have since revealed the first album’s first single to be “The Day That Never Comes.”
On July 14, 2008 (2008-07-14), it was revealed at the Microsoft E3 demonstration, that the entire Death Magnetic album would be made playable for the game Guitar Hero III: Legends of Rock at the time when the album is released, and later in October, in the new Guitar Hero game, Guitar Hero World Tour.[32]
Reception
In a 2007 interview with Rolling Stone, Velvet Revolver drummer Matt Sorum described his impressions of the unfinished songs:
“ Lars is a good friend of mine. He played me the demos from San Francisco, and I turned and looked at him and I said, ‘Master that shit and put it out.’ It’s ridiculous. The demos were sick. Eight-minute songs, all these tempo changes, crazy fast. It’s like, ‘Dude, don’t get slower when you get older, but don’t get faster!? How are you gonna play this live?’ And then me and Lars were out partying all night, and he had to go in the studio the next day and do this stupid like nine- or ten-minute song, and I was laughing at him — because he played me the demo of it, and it was [sings really fast drum part], so fast. I called him, and said, ‘Dude, how are you feeling?’ He was like, ‘Dude, I’m hurting.’ They’re cutting everything to tape, no flippin’ Pro Tools — live, no clicks.[33] ”
Six of Death Magnetic’s ten tracks were revealed to members of the UK music press at a listening party on June 4, 2008 (2008-06-04), where it was confirmed that there are two eight minute songs present on the album.
The album’s first single, “The Day That Never Comes”, is described as the most downbeat track on the album, and is said to be reminiscent of their 1990 Grammy-winning epic breakthrough single “One;” Rock Sound has also compared it to the likes of Thin Lizzy.[34] The band have abandoned the solo-free approach that they followed on St. Anger, returning to complex, multi-layered arrangements such as those typically found on the band’s fourth album …And Justice for All.[35]
Thrash Hits was one of the first websites, along with The Quietus to comment on Death Magnetic[36], suggesting “it is a vast improvement on 2003 album St Anger.” Metal Hammer has noted on Death Magnetic’s “sharp riffs” and “uncharacteristic bouncing grooves,” and compares the band’s sound throughout these six tracks to other bands including Slayer, Led Zeppelin and even Rage Against the Machine.[37]
While Metallica was on the first leg of its 2008 tour in Europe, a third party at Metallica’s management Q Prime demanded that media impressions and blogs be taken down for reasons undefined. However, when notified upon their return to the United States, the band was reportedly angered by their management’s demands, and drummer Lars Ulrich rectified this issue by posting as many links as Metallica could find on their official website, along with an apology.[38]
Track listing
1. “That Was Just Your Life” 7:08
2. “The End of the Line” 7:52
3. “Broken, Beat & Scarred” 6:25
4. “The Day That Never Comes” 7:56
5. “All Nightmare Long” 7:57
6. “Cyanide” 6:39
7. “The Unforgiven III” 7:46
8. “The Judas Kiss” 8:00
9. “Suicide & Redemption” 9:57
10. “My Apocalypse” 5:01
CODE
http://rapidshare.com/files/142424391/Metallica_-_Death_Magnetic__2008_.rar
note: I was told that this was a genuine 320kbps mp3 rip, if anyone can verify, that would be great thanks.
This reviewer is a joke.
He said Judas Kiss is boring? It just shows how people like him should be given the time to preview these songs. It’s far from boring.
The reason why so many fans are so argumentative just shows how far Metallica have reached out. There are so many different opinions becos of the huge age gap of Met fans. People been saying in forums that they have been listening to Met for 10 yrs, which if you think bout it…aint that much. One of those people is me, so iv only had the joy of anticipating a new album only twice (anger, DM). This will be alot more exciting for ‘us’ than the older generation die hard fans who have experienced album releases like Puppets, Lightning and Justice (and im jealous of you guys who did, cos the music must have blown your minds away and that time).
So I think we shud all just forget the arguments on the album and just pay the respect on how far Metallica has gone through the years and what their music can do to a person. I mean this album is good, and hopefully a newbie would come along and pick it up…and think ‘wow’…then slowly track back through their older albums and be even more WOW!! I mean this is what happen to me 10 yrs ago and I think this album would have the same affect to any newcomers. (I picked up S&M as my first Met album and thought if they were that f-ing good with a symphony, they must be awesome without one)
this cock banging about how metallica sold out or whatever has to stop man.Ive spent the evening searching for these songs, like i did back in the with cassettes n the radio.john kenny metalshow, hit record and then check songs out.9 times outta 10 you buy the album.
i will be buying death magnetic.
I cant listen to a record without reading the artwork it came in.
This album gave me the same buzz i got as a 16 yr old cos of the magnitude of the band n their body of work.
im sick of page after page of arguing i found so far.
this post saved the day.
Am i the only person who can enjoy Megadeth and Metallica? Both have had their ups and downs but theyre the 2 greatest bands ever. Both of them have good tunes on EVERY SINGLE ALBUM. People down United Abominations but have you guys listened to it? Washington is next Sleepwalker Burnt ice are all badass. Aside from St. Anger every metallica album is badass.People down load and reload, sure it wasnt all great, but there was good tunes. Songs like untill it sleeps king nothin or on reload the unforgiven 2 or the memory remains. Megadeth and Metallica are the fucking masters of heavy metal and people need to stfu if they feel otherwise. And, btw Death Magnetic kicks ass.
I can’t get over how many people didn’t like St. Anger, personally it was nice to hear little more speed and some “heavy” riffs for a change, sure like some other albums it did have some shit I could foward past but man, Frantic, Anger, Monster….Classic!! Death Magnetic (the 6 songs we can hear right now) sounds good to me and ALL OF YOU know you’re buying it! I say—-> Enjoy anything new by Metallica!
I got the new album the whole thing is pretty awesome. The four they didnt release are all better than the six that were released
I am still not over St. Anger and will not be buying this album or any other future release. Until James and Lars stop stroking eachother this band will continue to suck. I have said many times before and sill believe that all the talent died with Cliff….R.I.P
Metallica sound tired now. They’re making songs that no really longer capture what they were about. Being a professional musician I’ve listened to various songs and they’re played without real feeling or it’s just lost in the production. Metallica at times had the X factor that sets a band apart. That’s why their songs off the early albums were haunting [esp after the departure of Mustaine and their first bass player].
Even if you’re into Depeche Mode or not, their Black Celebration album, like Metallica’s Justice For All was a landmark album. It had the X factor.
If you listen to the first garage days EP, that captured a live feeling they’ve never really got back to.
Some bands have it, but I think Metallica’s mojo is now a mini me!
managed to listen to the whole album and so far am not really that happy with it, i have a full review for each song here: http://geekzkrieg.com/metallicas-death-magnetic-reviewed/
thanks!
Just Listened too the Whole Album a couple of times.
I am pretty much a die hard metallica fan…I like everything they release. St. Anger is by far the weakest album they have released, and the albums have been getting weaker since Black. They got Stronger from Kill to Justice, weakened from black to Anger.
Personally, I got tingles when listening too parts of this album, something I haven’t gotten since Justice. There is definatly an old school influence, but worked too sound modern. Personally I think this is the best album in 20 years. Out of the 10 songs….6 are magnificent, 2 are half-decent too good, and 2 are slow.
Just too put it into a classification…first number is magnificent, 2nd is good, 3rd is slow.
Kill: 4/6/0
Ride: 6/2/0
Puppets: 7/0/1
Justice: 8/1/0
Black: 4/4/4
Load: 2/6/6
Re-Load: 1/6/6
St. Anger: 2/2/7
Death: 6/2/2
The only song I don’t care for on the new album is The Unforgiven III. All the rest are really good, my favorite so far is Broken, Beat & Scarred, the riffs on this song are just incredible. Track 2 sounds like a hidden track that should have been on Justice and the Instrumental is just some guys rockin’ out and having a great time. It’s refreshing to have one of the greatest bands of all time release a good cd for the first time since the Black Album.
9/10
Metallica will always be a heavy metal legend to me like Sabbath. I dont expect them to play heavy metal the way they did it 15 – 20 years ago. The folks are getting old and they have nothing to prove anymore. I have the album already and so far I’m enjoying it because it’s making me bang my head at times. Hammett is back. The album is combination of all the albums they released. There are noticeable justice riffs, kill em all solos and the classic Hetfield growls. It’s worth having it. Just don’t expect this album to be a Master of Puppets 2 album… it’s not.
Happy Listening
Metallica – Death Magnetic (2008)
Genuine 320kbps mp3 download from Mission Metallica
Track listing
1. “That Was Just Your Life” 7:08
2. “The End of the Line” 7:52
3. “Broken, Beat & Scarred” 6:25
4. “The Day That Never Comes” 7:56
5. “All Nightmare Long” 7:57
6. “Cyanide” 6:39
7. “The Unforgiven III” 7:46
8. “The Judas Kiss” 8:00
9. “Suicide & Redemption” 9:57
10. “My Apocalypse” 5:01
http://rapidshare.com/files/144460671/Metallica_-_Death_Magnetic__2008__MM320.rar
I give 8,5/10. It is not perfect but it is awesome! A good mix of old Metallica Stuff with new Soul.You wanna headbang? Go for ” All nightmare long” or “My apocalypse”. You wanna little slow? “Day that never comes” and “Unforgiven 3″ gonna make you happy. You want to have the best time , next time you see the guys live on stage? You can not ressist “The Judas Kiss” ^^ . Sorry for my shitty english i am from germany and need a little more practice again . Everybody gives this album under 6/10 ,go fudge yourselfs and hear Hanna Montana and some Disney metall!
Metall up your A….!
DK
I find it truly interesting how quick people are to write off everything after Justice. And Justice For All was the First Metallica album I owned, followed by Master of Puppets, Ride the Lightning, and so on. I was surprised and yet still elated by the Black Album, and a little confused by Load and Reload at first. Eventually I came to enjoy each album for different reasons.
Of all Metallicas albums, the only one I can’t bring myself to listen to is St. Anger. I generally skip past the songs if they appear in my playlist unless I am really in the mood. They just don’t have that staying power.
After hearing Death Magnetic I have to say I am amazed at the return to the roots for Metallica. It sounds to me like they are ranging from anywhere between Kill ‘em All to the Black Album. I can even forgive the slight lean towards St. Anger in All Nightmare Long. To me, this album feels like a tribute to where Metallica has come from and gone to. All the hooks to riffs and solos from older songs is pure genius. Had me loving this album from the first listen.
If you are a true Metallifan and enjoy the Thrash as well as the Ballad styles that Metallica has become renowned for, then you should definitely get this album. It is well worth the journey through time that it evokes.
Rock On!
I just got my cd in the mail yesterday as I pre-ordered from the fan club….I only listened to it on the way to work this morning…no opinions yet…I have to listen to a cd a couple of times first…I love all of Metallica’s albums except for St. Anger…I actually bought it, listened to it, then gave it to a friend’s son…garbage…I can’t wait for their tour!
first of all, it’s not a Master 2, but it is one of the best Metal albums of the last 15 years.
If you like metal Buy it!! Metallica fans will have different opinions, but they were spoiled!
The album we were needed to keep our Metal spirit up! Metal Up your ..ss!
Well … im am a metallica fan since day one. And a fan of many other groups that emerged that time. Anthrax, venom, slayer, megadeth, testament, coroner, annihilator etc etc… we would buy any metal record that time since cds, or internet didnt exist. Of all the groups we use to hear Metallica was always the one ……….. (THE ONE) always was, is, and will be. No matter what people say no matter what comments they will post. If you dont appreciate the history and the contribution of the greatest group EVER then your a pop music guy and you should stick to that. As for their new album …. History is repeated!! Perfection is redefined.
Any hardcore metal fan will appreciate the sound and lyrics of this amazing piece of art. 100% ear smashing metal , amazing solos , meaningful lyrics 100% METALLICA
I could not stand anything after the Black album. Honestly, it was all pure trash and void of real effort. This Album is a return to old school. It’s noticeable and I can hear it clearly. It’s better than the past handful albums BUT not nearly as good as the old albums.
Yeah, I’m glad that the band has decided to go back to it’s old 80′s style but I think it hasn’t reached down deep enough. The sound is like the older albums but not one of them is a hit. They’re all just fast jams with words. There is no catchy rhythm that is found in many of the classic hits. It’s almost as if the band is trying to hard, beating away at their instruments, and hoping to ignite something great. Unfortunately it just doesn’t happen.
I’ve tried to listen to each song numerous times, hoping that something will hit a chord but its not there. I can’t see myself digging through the car for this album when I’m in need of a Metallica fix.
I dunno, maybe they’ve truly lost it and will never find themselves again. I’m hoping this is just a first attempt at recapturing their old style. Hopefully they’ll knock off some of the rust and find their creativity once again.
I rate this album above average for the band but that’s not significant when you consider how many poor albums got into the calculation.
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